Again, the final result, is a no-audio, 1920 x 1080.not sure frame rate, VLC says some crazy number like 46.3432, that retains quality and can be reliably keyed, and renders out the fastest that After Effects CS5 (or 5.5, don't remember, it's the clients) will allow, because my client needs to be able to compare compositions against each other and stuff.Īlso, I asked CC, but figured I'd get faster responses here. Convert any MXF file from any camcorder to any Apple product preferred or to other video programs supported MOV. Quicktime HDV1080p24 MPEG-2 (WE MIGHT HAVE A WINNER) 600MB Quicktime MPEG-4 VIDEO (NO, BLURRY QUALITY PIXELS, LOOKS LIKE H.264 RESULT) 28MB) Quicktime TIFF Codec (NO, LOST TOO MUCH QUALITY, ALL TILING AND PIXELATED) 10-FRICKEN-GB Quicktime H.264 (NO, BLURRY QUALITY PIXELS) 37MB Quicktime Cinepak (NO, SO MUCH QUALITY LOSS THAT IT LOOKS LIKE A 256 GIF PAINTING NOW) 600MB Quicktime Animation (NO, LOST TOO MUCH QUALITY, ALL TILING AND PIXELATED) 5GB Quicktime ProRes422 : (SEEMS QUALITY RETAINED, FILE SIZE TRIPLES THOUGH) 2GB It can not only deal with video files, but also DVDs and Blu-ray discs. Quicktime PNG Codec (NO, LOSS QUALITY BAD) I forget the size, deleted it. HandBrake is well-known as an open-source video transcoder. Note that the source MTS is 500MB, and 4 mins. I've tried using Adobe Media Encoder to try out these formats. (Also the greenscreen needs to retain data to be keyed out) So I suggested we find a way to compress them, while still keeping the quality. There's also no audio.Īfter Effects WILL work with MTS, but it runs really slow and was going to take hours just to render out 10 seconds. It's more of an effect, than a movie, so we're working completely in After Effects, no need to go back to any NLE. Basically it's HD slow motion photography, shot sideways, against a greenscreen, and all he wants to do is put one 1920 x 1080 composition up against another (they are rotated 90 degrees), have em move in the slow motion he shot them as, and fade out to another.
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